Animation
Marrama, Oberto (2025-01-09)
Cambridge University Press
09.01.2025
Marrama, O. (2024). Animation. In K. Hübner & J. Steinberg (Eds.), The Cambridge Spinoza Lexicon (1st ed., pp. 30–32). Cambridge University Press. https://doi.org/10.1017/9781108992459.012
https://rightsstatements.org/vocab/InC/1.0/
This material has been published in revised form in The Cambridge Spinoza Lexicon edited by Karolina Hübner and Justin Steinberg https://doi.org/10.1017/9781108992459. This version is free to view and download for private research and study only. Not for re-distribution or re-use. © Cambridge University Press.
https://rightsstatements.org/vocab/InC/1.0/
This material has been published in revised form in The Cambridge Spinoza Lexicon edited by Karolina Hübner and Justin Steinberg https://doi.org/10.1017/9781108992459. This version is free to view and download for private research and study only. Not for re-distribution or re-use. © Cambridge University Press.
https://rightsstatements.org/vocab/InC/1.0/
Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:oulu-202501161220
https://urn.fi/URN:NBN:fi:oulu-202501161220
Tiivistelmä
Summary
The concept of “animation” figures in the scholium to E2p13, where Spinoza discusses his demonstration of the mind–body union. He writes that “the things we have shown so far are completely general and do not pertain more to man than to other individuals, all of which, though in different degrees, are nevertheless animate [omnia, quamvis diversis gradibus, animata tamen sunt]” (E2p13s, ii/96).
The concept of “animation” figures in the scholium to E2p13, where Spinoza discusses his demonstration of the mind–body union. He writes that “the things we have shown so far are completely general and do not pertain more to man than to other individuals, all of which, though in different degrees, are nevertheless animate [omnia, quamvis diversis gradibus, animata tamen sunt]” (E2p13s, ii/96).
Kokoelmat
- Avoin saatavuus [38865]