Photography’s Post-Mortem: Examining Emotion and Attachment Through Family Pictures

Matila, Tuuli (2024-09-04)
 
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Sisältö avataan julkiseksi: 04.09.2025
URL:
https://doi.org/10.1007/978-3-031-66570-7_9

Matila, Tuuli
Springer
04.09.2024

Matila, T. (2024). Photography’s Post-Mortem: Examining Emotion and Attachment Through Family Pictures. In: Lipkin, S., Bell, T., Väre, T. (eds) Archaeologies of Attachment. Themes in Contemporary Archaeology. Springer, Cham. https://doi.org/10.1007/978-3-031-66570-7_9

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© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG. This is a post-peer-review, pre-copyedit version of an article published in Archaeologies of Attachment: Themes in Contemporary Archaeology. The final authenticated version is available online at: https://doi.org/10.1007/978-3-031-66570-7_9
https://rightsstatements.org/vocab/InC/1.0/
doi:https://doi.org/10.1007/978-3-031-66570-7_9
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Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:oulu-202501071051
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Abstract

The phenomenology of photography is a rather understudied field, and images have been viewed almost exclusively as illustrative pieces with no independent capacity to speak about the past. They are viewed often as representational devices and their affects are neglected. In this paper I examine the phenomenology of photography as a method to uncover the affect of images through a family photograph. I delve into the depths of the Finnish World War II narrative and the associated emotions and objects that are passed on in family lines.
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