Taxonomies of exclusion: Storytelling, naming and classification in an age of extinction
Tabak, Eline D. (2024-04-01)
Tabak, Eline D.
Cambridge University Press
01.04.2024
Tabak, E. D. (2024). Taxonomies of exclusion: Storytelling, naming and classification in an age of extinction. Cambridge Prisms: Extinction, 2, e4. doi:10.1017/ext.2024.7
https://creativecommons.org/licenses/by/4.0/
© The Author(s), 2024. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
https://creativecommons.org/licenses/by/4.0/
© The Author(s), 2024. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
https://creativecommons.org/licenses/by/4.0/
Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:oulu-202410146292
https://urn.fi/URN:NBN:fi:oulu-202410146292
Tiivistelmä
Abstract
Among the stories on individual examples of charismatic fauna, there are also extinction stories that evoke databases and their aesthetics in how they list endangered species. At the same time, these different stories grapple with a legacy of taxonomy that, while necessary in conservation, also carries a history of exclusion. This paper turns to the poetry of Claire Wahmanholm and Juliana Spahr to consider some of the ways extinction stories can be told outside of the relatively narrow scope of charismatic species. To begin, I reflect on extinction storytelling and the classificatory impulse in some of these stories, including poetry. Then, I consider scientific practices of naming before I turn back to Wahmanholm and Spahr and explore practices of naming and classification in their poetry. Following that, I dwell on the influence of scientific classification on the ways people including poets can engage with extinction. The poems in this paper are not merely an object for analysis; they should be considered an invitation to come to terms with and move beyond complicated histories and practices of naming and classification in storytelling.
Among the stories on individual examples of charismatic fauna, there are also extinction stories that evoke databases and their aesthetics in how they list endangered species. At the same time, these different stories grapple with a legacy of taxonomy that, while necessary in conservation, also carries a history of exclusion. This paper turns to the poetry of Claire Wahmanholm and Juliana Spahr to consider some of the ways extinction stories can be told outside of the relatively narrow scope of charismatic species. To begin, I reflect on extinction storytelling and the classificatory impulse in some of these stories, including poetry. Then, I consider scientific practices of naming before I turn back to Wahmanholm and Spahr and explore practices of naming and classification in their poetry. Following that, I dwell on the influence of scientific classification on the ways people including poets can engage with extinction. The poems in this paper are not merely an object for analysis; they should be considered an invitation to come to terms with and move beyond complicated histories and practices of naming and classification in storytelling.
Kokoelmat
- Avoin saatavuus [38670]