Intermedial Experience and Discursive Voice in Printed Text, Audiobook, and Podcast: H. P. Lovecraft's “The Statement of Randolph Carter”
Toikkanen, Jarkko; Hatavara, Mari (2023-06-22)
Avaa tiedosto
Sisältö avataan julkiseksi: 22.12.2024
Routledge
22.06.2023
Toikkanen, J., & Hatavara, M. (2023). Intermedial experience and discursive voice in printed text, audiobook, and podcast: H. P. Lovecraft's “The statement of Randolph Carter”. In T. Ghosal (Ed.), Global perspectives on digital literature: A critical introduction for the twenty-first century (pp. 210-223). Routledge. https://doi.org/10.4324/9781003214915-18
https://rightsstatements.org/vocab/InC/1.0/
© 2023 The contributors. This is an Accepted Manuscript of a book chapter published by Routledge in Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century, on 22 June 2023, available online: https://doi.org/10.4324/9781003214915
https://rightsstatements.org/vocab/InC/1.0/
© 2023 The contributors. This is an Accepted Manuscript of a book chapter published by Routledge in Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century, on 22 June 2023, available online: https://doi.org/10.4324/9781003214915
https://rightsstatements.org/vocab/InC/1.0/
Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:oulu-202403192312
https://urn.fi/URN:NBN:fi:oulu-202403192312
Tiivistelmä
ABSTRACT
In literary fiction, voice is a manifestation of the mind, the vehicle for a character’s experience. Literary narratology studying first-person narrative focuses on discursive voices that mediate the narrating self and experiencing self in the text. The remediation of first-person narrative into digital audio drama complicates the concept of voice. Audio drama may thus have an impact on the interpretive ambiguities of the written text – by settling, for example, how specific instances of voice materialize. This chapter studies H. P. Lovecraft’s short story “The Statement of Randolph Carter” (1919) in its original print form, as an audio drama, as well as an interactive literary podcast. The chapter’s theoretical and methodological framework has to do with intermediality. The study of voice in the versions of Lovecraft’s short story here puts emphasis on interpretation and its medial bases.
In literary fiction, voice is a manifestation of the mind, the vehicle for a character’s experience. Literary narratology studying first-person narrative focuses on discursive voices that mediate the narrating self and experiencing self in the text. The remediation of first-person narrative into digital audio drama complicates the concept of voice. Audio drama may thus have an impact on the interpretive ambiguities of the written text – by settling, for example, how specific instances of voice materialize. This chapter studies H. P. Lovecraft’s short story “The Statement of Randolph Carter” (1919) in its original print form, as an audio drama, as well as an interactive literary podcast. The chapter’s theoretical and methodological framework has to do with intermediality. The study of voice in the versions of Lovecraft’s short story here puts emphasis on interpretation and its medial bases.
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